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David Sandum with the Artful production crew, BYUtv
With the Artful production crew, BYUtv

It has been a long while since I last wrote, and much has happened since. I have been through many life challenges, exhibits, travels, and other projects. In this post, I cannot go into detail about them, but I wish to highlight something that feels like a milepost in my life and artistic career. 


In the summer of 2023, a TV production company in the US contacted me. They asked if I would be interested in being featured in their program, Artful, which focuses on the spiritual aspects of art. They also wanted to highlight mental health in the creative process. I went through a screening process, and a few months later, I was surprised to learn that the program was approved. They wanted to fly a whole TV crew to film me at my studio and document my work! I could not prepare or see any interview questions beforehand for the sake of spontaneity and authenticity. They asked that I consider taking half a day of filming at a place or showing something that inspired my work. 


The ARTful production crew, BYUtv

Last October, the TV crew gladly invaded my studio. It felt like an organized hornet's nest! Light umbrellas, camera lenses, film, and sound equipment soon filled my space. They went through and photographed most of my work, scanned my personal photo albums, and asked me to sit in front of the camera for an interview.


ARTful production crew, BYUtv

To my great surprise, I was also asked to begin a large oil painting from scratch—all while having two cameras pointed at me. One cameraman even stood on a chair and filmed me from above. It demanded all my focus and attention to paint while cameras moved all around me. I asked if I could paint to music, but I was told this was not possible. After the painting session was over, I was drained. I said that I did not know if I could continue for the rest of the day. The Producer said, "Let's go to lunch and see how you feel after."  I took a deep breath and agreed. After food and plenty of coffee, my strength returned. These professionals were kind, supportive, and highly skilled at their craft.


We soon landed back in my studio. To my astonishment, I was also asked to start a gouache painting from scratch. I decided not to think and only proceed. I created a motif that I was familiar with. When they said it was enough, I was asked to start a drawing with watercolor/pastel pencils. At this point, I only smiled and began. I have seldom felt such focus. To paint with a brush was one thing, but to draw lines intuitively while a camera filmed close to my pencil, was another.


A long on-camera interview then followed. Used to giving an answer and then having it noted, I was amazed at how the questions kept digging deeper until my answers became raw and to the point. And I am not one to feel uncomfortable with honesty.


With the ARTful production crew, BYUtv

The second segment of the filming was conducted at my "place of inspiration." For this segment, I had chosen an area close to where I live on Jeløy Island, near Moss. For years, I have taken nearly daily walks and hikes by these shores and rocks by the Oslo Fjord.


David Sandum and Artful production crew, BYUtv
With the Artful production crew, BYUtv

They filmed while we walked and asked questions while a drone captured the scenery from above. At one point, I was asked to walk and sit down on "my rock"—the place where I always go to rest, meditate, and watch the beautiful scenery. It was not until the filming was over that they told me they had wanted to do this to recreate my drawing and painting series "Alone by the Sea," which I have returned to artistically for over a decade. This felt very special to me. I was impressed with their professionalism and vision. I also pondered how much had come together. It had rained for days before our footage by the fjord, but miraculously, on the day of the filming, it was calm, and the sun was out. The day after the film crew left, it started to rain again.


When the two long days of filming were over, I wondered how some fifteen hours of footage would comprise a thirteen-minute program. I felt excited, but also nervous about how it would turn out.


I would need to wait a full year to see the result. One week ago, while on the road traveling in the US, I was able to watch the broadcast live in bed at my hotel room. While watching, I became overcome with emotion. Seeing a visual program about my life, my struggle with mental health, my life view, and my artistic path struck a nerve that I did not know existed. I have written a memoir about my life and given dozens of speeches and newspaper and podcast interviews, but this program made me realize to the core the challenges I have faced. I was also touched and unprepared for the photos of my mother, who passed away from cancer when I was thirteen.



Thanks for your kind support of me and my art. An artist can paint alone, hidden away from the world. But in the end, we need someone to communicate with to help us move forward with our art. Know that I truly am grateful to each one of you.


Updated: May 6


David Sandum

Recently, I was interviewed on a local radio station Radio Øst by, Yvonne Ringnes Nilsen, regarding my views about mental health treatment in Norway. She wrote an article titled, "Tilbudet til Psykisk Syke er Mangelfullt" on Ille Bra Blogg about the interview. (See it here in Norwegian) Below is the article loosely translated into English:

 

"Assistance for Mental Illness is Defective"

Artist David Sandum, who lives in Våler, believes it is high time we discuss assistance for the mentally ill.

Unfortunately, the help is not good enough and I myself think the assistance has been poorer in recent years. Many mentally ill people end up not being seen or taken seriously. At worst, they end up taking their lives. It is very important that we talk about this, he says.

Bipolar Disorder

Sandum has worked as an artist for 20 years and lives in Indre Østfold. With the diagnosis of bipolar disorder he has periods of extreme highs and lows. After a so-called manic period, there is usually a period where he is very depressed. I have had periods in my life where I have been so ill that I have been forced into the hospital. It was many years ago, but I have been there, explains Sandum.

In a candid interview, he talks about his own thoughts on a health care system that he believes doesn't take mentally ill patients seriously.

The assistance for mentally ill people in Norway is far too poor. My personal experience is that the offer has been gradually getting worse in recent years, says Sandum.

(Hear the full interview at the bottom of the article)

Lack of follow-up


He cites examples where patients have to wait months before receiving help to be admitted.

When you first get help, there is usually a time frame of up to two weeks for treatment, before you have to return home again. Would you like to go back before you feel ready? Moving back to an empty apartment against your will? It's no wonder some patients see no way out, stated Sandum, who believes there is a lack of follow-up after discharge.

David Sandum is one of several Østfold artists represented during the Winter Exhibition at Galleri Soli Brug in Sarpsborg. The exhibition opens on Saturday 18 January and runs until 26 January.

 

The interview is from "Good Morning Østfold" which runs every weekday from 09.00 and in reprise at 16.00. FM 97.3, DAB and online radio www.radio-ost.no

You can listen to the full interview here (in Norwegian)

Updated: May 30, 2022


David Sandum

Since 2014, I have been taking yearly study trips to New York City. It has been wonderful to connect with many artists and creatives in the city that never sleeps. I am always inspired by the energy there. One of the artists I have been fortunate to meet is Angela Cappetta, a most talented photographer. She has also acquired some of my work. She recently asked to interview me about my art and creative process for her blog.

 

"The focus of my work is to transfer emotion. Artists work in many ways. Some copy what they see and others start with an empty canvas and see what evolves. I am of the latter kind. It happens that I have a clear motif in mind, but it is rare. Even if I do, it never ends up the way I thought because I paint impulsively. There is always a psychological element in my work. I started to paint to deal with my struggle with depression"

David Sandum

"I only care that the viewer feel something, using psychological themes that we all share: Longing, love, pain, loss, difficulty in communication, admiration of nature, energy, passion and so on. People will interpret these themes based on their own experience. But in the end, our journey and experiences as human beings on this Earth, are similar."

 

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